
Welcome to the home of the #1 Entrepreneurship podcast for entrepreneurs! The \"Social Proof Podcast\" host's conversations with some of the greatest minds in the world. You will learn from people who have made anywhere 6-Figures with clothing brands and photography companies to true outliers who've built Billion Dollar Empires! Our whole network is dedicated to teaching beginning entrepreneurs how to make the transition from the dead end 9-5 to becoming a fully free full-time entrepreneur.
Big John's in the building, man.
Welcome to the show.
I was already known everywhere.
I'm taking pictures and signing autographs and stuff.
Wow.
But I was still broke.
And it says monetized 6 cents.
But you see this YouTube studio, you like, I made 6 cents.
I made 6 cents.
I can make $6, $100.
Every month I was on average doing 60 to 70 bands.
It's funny how life works like that.
When you lock in, you're automatically attracting people that's locked in.
Right.
Anybody that's trying to make it with no bread, you gotta find like-minded people.
You gotta find people that's just like you that have
no money, but they can pay you in effort and you pay them in effort.
What's your ultimate goal?
Ultimate goal is
to make film.
I want people to look at my films as classics, like the Fridays and the Don't Be a Menace and the Boyz n the Hood.
So my goal is to make films like that, that people talk about 30 years later.
The 30th anniversary of this film.
Do what you can.
Don't wait for the— don't be perfect.
Be consistent.
Welcome to another edition of the Social Proof Podcast.
We find dope people that do dope stuff, man.
And I gotta tell y'all, this person that is on the couch is literally one of my favorite creators, bro.
Like top 3.
And I've seen a lot of creators.
I know a lot of creators, but bro, when I came across your content, I was so like enamored.
I'm like, first off, how is this so funny and witty at the same time?
Thank you, man.
And I will— I'm just, I'm binging.
I'm binging, binging, binging.
But the coolest thing I saw
was you had a bunch of characters in the shows, right?
But then I saw each one of those characters had their own stuff and y'all would be in theirs.
And it was just this beautiful network of these LA creators that are all in each other's content and it was all fire.
So me watching you made me go find other people and I started like really binging their stuff and It was just incredible, man.
Big Jaws in the building, man.
Welcome to the show.
What's going on, man?
Brother Shands, what's happening?
Oh, bruh, everything's good, man.
I remember the first time I met you.
Yes, sir.
We went to some little restaurant he took me to.
The Yard House in Burbank.
Was that the first time?
Yeah.
Yeah, we went to a restaurant.
With your partner, with your homeboy.
Yes.
Yeah.
Bro, I'm not gonna lie, I was fanning a little bit.
It's all love, bro.
I was fanning.
It's crazy, that was years ago.
Years ago.
And you didn't have this.
No, no, no, no.
You was cracking though.
You was doing your thing.
I found you and you didn't know that I was,
I followed you.
I think that's what, and then you DM me right after that.
I was scrolling and I came across one of your videos and I was like, oh, I like what he's saying.
Didn't know you.
I did my first time ever seeing your content and I thought it was dope.
And I was like, I liked it.
And then I scrolled down again.
And usually what I do when I look, when I scroll down and I see 2 or 3 pieces of someone's content that I like, if I have to double tap, I was like, let me follow this person.
And off the first time, the first, 2 or 3 videos I seen, I was like, oh, this dude is dope.
I like what he's saying.
I would be there in the room listening to him if I was at, if I had the opportunity.
And I, I saved, I mean, yeah, I followed you.
And then within like 10 minutes I got a DM.
You like, hey man, bro, I saw the follow.
I said, Big John is following me, bro.
I, I was so, bro, I was fanning a little bit.
I ain't gonna hold you.
It's all good.
I was an instant fan too though.
So I was like, bro, yeah, what's up, man?
I like what you saying in the videos, bro.
What's going on?
How you doing?
And then we chopped it up and I don't know how long it was after that, but you was in LA and you say, man, I'm gonna be in town, man.
Let's have lunch or something.
And then I pulled up and we met up at the, at the Art House.
Yes, sir.
Yes, sir.
With your homeboy.
And then we chopped it up and he had a, just a slew of questions and conversations.
And it was dope, man.
And we linked in that day.
Yes, sir.
It was cool.
Yes, sir, man.
I'm so glad you're here, man.
Cause I haven't, we see your content, but I haven't really got your story like that.
You know, we've had conversations in terms of going
going through their marriage and all that kind of stuff.
But, um, I really want to know how you got started.
First off, let's start here.
You have like how many views on YouTube?
For those that don't know, like, I want to talk about what you've built.
What are some of the things that you brag on?
Real quick, I think we did do a video, or we did an interview when we first met, within the first year that we knew each other.
I came out to ATL.
Yes, sir.
And we told— I want to say I want to say 6 years ago, bro.
It was 2019.
Had to be.
And I don't think it was video, it was just audio.
It was audio.
Yeah, that's, that's how long ago it was.
You're right, bro.
It was in the small room.
It was in the room you had.
You're right.
I had another co-host.
I had a, I had a young lady co-host at the time.
I think so.
Yes.
Damn, it wasn't even no video.
We didn't have— there was no cameras up.
It was just audio.
He was like, man, I just want to story.
I remember that.
It was a long time ago.
A long time ago.
We about to update the audience now though.
Yeah.
Amen.
So yeah, so we can start as if we, as if we just not just met, but like, yeah, I don't even remember that's what we talked about.
So yeah, this is, this is the official one.
So for those that don't know, what are some of the accolades, some of the things that you've accomplished?
I would say,
I think my first, type of success was on, my first viral video
was on IG, but it was mostly, it was simultaneously on Facebook.
Tiberius, back in like 2017.
I was doing sketches for years before that, but I was never consistent.
I never really had any direction on what I wanted to do.
And so
I would say 2017 is where things really took off for me when I really got serious and I was consistent.
Well, what year did you start creating?
To be honest, if I'm talking about doing, I was doing sketches before YouTube ever existed.
Really?
Yeah, I was doing, I remember in high school, man, the first time I grabbed a camera, it was on my high school recruiting trip, football recruiting trip.
And I took a camera to, to the Bay, to UC Berkeley where I ended up going.
I was taking, my coach drove me up there and we met, I met the team and I spent the weekend up that week.
I spent the weekend up in Oakland, Berkeley area.
And I took a camera.
I had a, there was a video class in my high school that I never knew about.
I went to the high school, I was just about to graduate that following, that semester.
And I come across this video class and I was like, I saw all these cameras and video, I mean, and TVs in the room.
I was like, what's this?
This is a video class.
I said, what?
Y'all got a video class?
And I was always into like movies and stuff like that, but I had no outlet.
I had nowhere to know.
I didn't have no camera.
I used to always walk around taking pictures.
That was even like since middle school, I had like this camera that my dad had and I would like, we'll go to like Thrifties or something like that and get like a roll of film and put
it in.
So I was always taking pictures.
I couldn't afford a real camera.
You gotta take the film to somebody, like drop it off, come back in a couple days.
It was that situation.
So I saw this video class, I saw, And she explained to me that you can like rent the camera equipment.
I said, you can rent it?
Like how much does it cost?
I ain't got no money.
She was like, oh no, it's free.
You just gotta give us your ASB card.
You know what I'm saying?
Like the little ID card for the high school.
I said, and that's it?
Yeah.
But it was Friday.
I was getting ready to go to the Bay that night.
I mean that following morning.
And so she was like, no, you can use it this weekend.
I can take it right now?
Yeah, just gimme your ID.
I said, really?
She gave me a camera with two VHS tapes, blank tapes back in the day when you had the big camera.
On your shoulder.
Yeah, it's 1999.
I'm in high school, I'm 17.
And I'm like, man, I could take it right now.
I took it.
She showed me how to use it.
A quick crash course on how to operate the camera.
Took her like 10 minutes.
I learned it and I took it up to my recruiting trip.
And that's when I was like, this is what I want to do.
If it ain't gonna be football, it's gonna be camera.
It's gonna be filmmaking.
But before that you're thinking I'm going to the NFL.
Yeah, yeah, yeah, for sure.
Then you take this trip and you're like, yo, I wanna be a creator.
Yeah.
On that trip I was like, man, I wanna do this.
So if football, and also the reality of not making it in the NFL was there.
But I'm like, well, I'm gonna go play football for 10 years, become a Hall of Famer, retire, and then I'm gonna go into filmmaking.
I'm gonna, but then let me learn how to make film now.
So when I go to college and it all kind of worked together, I was gonna play Cal, I was gonna play here at Cal.
I already, my first time filming, like I filmed the whole weekend.
Ask anybody that knew me back then.
What was you filming?
Everybody, I was interviewing students.
And now mind you, it's a recruiting trip.
So the same weekend of my recruiting trip for football was a program at Cal called BRRC, BRRC, Black Recruitment and Retention Center.
And that was like, it was basically the American, I mean the African Student Union, ASU.
So this is like the black kids on campus that were recruiting other black students from different parts of the country from high school.
So that was like two recruiting trips.
So I went up there to see how the campus was and how the black population was at Cal along with like the white population and others as well.
But also the same weekend, there was a football recruiting trip as well.
So I filmed everybody.
I'm interviewing people who was coming from different parts of the country to come in for the same program, the same event.
Some people were from the Bay, some people were from LA.
It was, I was like, so what's your name?
Where you from?
And what you gonna major in when you get here?
If you do come here, I was doing that.
Have you always been like funny?
Like that personality that you have?
Yep.
So you just in there wild ass, off the wall stuff.
Yeah, I'm flippin' with the girls and stuff like that.
And I still got that videotape.
Really?
I still got, I gotta convert it to digital.
I gotta convert it to like the computer.
But like I still got, it's 1999.
You see the stamp and you see like the gas prices.
Gas prices was like $1.10 back in the day.
I got old videotape of, uh, Dame might be on it too, you know what I'm saying?
Me and my manager, me and Dame, we went— that's how we met.
We met in college.
Wow.
He's a year ahead of me, so I was a freshman.
Get it done.
I want to patch that in a little bit to this video if we can get it done.
I can't believe you haven't converted it by now.
I know, I know.
That's one thing that, hence Dame be on my head about, hey man, get things done.
I should have been converted it and it's— I'm editing now.
I know how to edit.
I could have been and done it.
Yeah.
You know, it's probably a program.
It's probably like a device that you can just put a VCR connected to the computer now.
No, bro, you dropped it off to somebody that does that stuff.
Exactly.
Yeah, it's that simple.
And I live in LA, so yeah, 100%.
So many places I can just go to get that done.
But yeah.
So you, you're doing these interviews just, just wilding out, having a good time, right?
And I'm loving it.
And I, of course, I'm asking people questions about if you was an actress, what would you do with your favorite movie?
And give me a scene from your favorite movie.
And they act, I'm like, go, action.
I'm just, you know what I'm saying?
So I knew it.
I said, I love this.
And you, did you already grow up in love with movies?
Were you a big movie buff growing up as a kid?
Yeah, yeah.
Okay, gotcha, gotcha.
My uncle had like the LaserDisc back in the day.
Oh yeah.
You know what I'm saying?
Some people don't even know what LaserDisc is.
Come on, bro.
It's like a big-ass CD.
but it's like for movies.
And I would go to his house, he had all the new releases, and if he didn't have it on LaserDisc, he had it on VHS.
So any movie that came out within a month, within a week or so, he had it on VHS.
So I'm going to his house and he had like a library of movies.
It was almost like a big screen, and he had these cabinets, and it was all coded and it was all, what's the word, structured by date, you know what I'm saying?
New releases.
And it was like going to Blockbuster, you know what I'm saying?
And I would open, I would watch all the movies, and it was the
that I wasn't supposed to watch that was like rated R, you know what I'm saying?
At nighttime I'm going in there, everybody's asleep.
I'm in the living room watching it.
And I knew, and my dad was an artist, you know what I'm saying?
He was an illustrator.
So he drew and he made jewelry outta like metal, outta like silverware and like he'll make a ring or a bracelet out of like a fork.
But I wish I could show you what it is.
I could too if I brought it with me, but like, My dad was very creative.
So is he still around?
He passed.
He passed 2016.
Ah man.
Yeah, bro.
Appreciate it now.
It's all good.
So after this recruiting trip, you go back, obviously you do nothing with the footage.
No, I didn't do nothing with it.
We was doing pranks and then I get to college and my birthday, I turned 18.
That was like, I was probably the youngest dude on the team.
I was the youngest dude on the team.
I was 17 when I got to college and my mom bought me a camera for my 18th birthday and I didn't even know it was, she, it was like a— What kind of camera?
Like the handy cam joint?
VCAM Sony.
Yeah.
And the 8mm.
Yeah.
Yeah.
And so that was the best present I ever got in my life at the time.
And probably still.
Yeah.
You know what I'm saying?
But like, and 'cause I never, we can never afford a camera.
And,
but she knew that, she knew that's what I wanted to do.
I was talking about it, man.
I love, I got a camera.
I rented one from college, from high school.
And then she saw my 18th birthday and she got me like this every year.
My birthday's in December.
So every year she gives me a calendar.
'Cause she said, you gotta write things down, son.
Put it in the calendar.
You know what I'm saying?
Now Dame is that guy, right?
Dame is like, hey man, you gotta write everything down so you can know and remember what to do and all that stuff and what time to do it.
My mom would give me a calendar that I would open it up.
So basically it was the year 2000, you know what I'm saying?
And I'm 18 now, I'm about to be, it's 18, I turned 18 right before the year 2000.
And inside the calendar, she opened it up and it was a sticker.
A tape, it was a coupon for the camera.
And so I'm thinking I'm just getting this, I'm cool, I'm grown now.
So she like, "Yeah, I ain't, I don't need no toys." So I'm thinking this is all she gave me for my birthday.
And I opened up the calendar and it has like the receipt to the camera.
And I was like, "What's this?
Oh, the camera?" Yeah.
And then she pulled it out from like the behind by the Christmas tree or something like that.
I was like, "Yeah." So, and I used, so now I don't have to rent a camera no more.
I went back to college that, the second semester as a second-year freshman.
And I had that camera and anybody that knows me back then, he even Dame, Dame, like, yeah, I was always the dude with the big ass, the Afro walking around or braids.
I'm filming everything now and I'm shooting sketches with my teammates and I'm in the locker room and yeah, I got all that.
So you were shooting sketches at that time too?
Well, even I didn't even know what they were called back then.
I was just having the homie or mostly it was probably more documentary style than anything.
I'm just walking into the room and the homies is playing 2K, playing Madden.
And they just talking.
And so I might have to go back and sift through what the hell I was watching.
Right.
You are gonna be floored when you see that stuff.
Yeah.
I'm talking about it's 18-year-old me and the homies and a lot of them dudes are still my partners to this day.
Yeah.
So, and there wasn't nobody filming them back then unless they was on the football field.
But like other than that, they gonna be like, man, I'm gonna, yeah, I'm gonna, I'm gonna, I'm, I gotta develop that.
I gotta look at that.
100%.
But I have, I have a bunch of college footage too.
Cause I was always the person with a camera too.
That's why I understand this game.
Like it's not even like I know what the
to do with it other than just show my friends after the party what we saw.
Like it wasn't even nothing to do with it.
You freestyle in the car.
I'm in the backseat filming everybody.
Come on, bro.
What?
I got so many freestyles.
Absolutely.
We did some things that we probably shouldn't have done with the kids.
Yeah, some things.
And this is 18-year-old freshman, sophomore year in college that I was like, man, my wife kind of already know who I am.
So I was like, hey, There's some parts I'm not gonna show.
'Cause you saying probably the wildest things, you doing shit, you saying all kind of crazy shit.
When I got, when I like really started going to church, I had to delete some of that stuff.
I remember throwing some of those joints away.
I said, I don't even want to have this nowhere.
You know what I mean?
Man, look, I got some stuff I shot that my boy's nephew, he grew up with us, like, and he was always, we had a camera in high school and we used to be at my homeboy's house and he had,
he probably had the least money outta all of our families.
But we, he was, his spot was the kicking spot and there was like this bedroom and we had like this California queen, California king bed and it's like 5, 6, 7 dudes just sitting on
the bed playing the game.
It's one dude laying against the wall on the phone talking to a girl and talking to a girl and it's like the two dudes at the edge of the bed and It's like another dude laying across
the bed on another phone line.
Or one homeboy had a cell phone, so he on that.
And his cousin, his nephew is just filming us 'cause this is one of our cameras.
It's probably my boy Willie.
He had a camera or my boy Ray had a camera and he's just filming us.
And the things he's saying, I'm like, and he sent this to me now, mind you, his nephew was probably about 5, 6 years younger than us.
So when we like 17, he's like 10 or 11,
12.
And my boy will always make him get up and leave 'cause they shared a bedroom.
It was just the room was so small.
It's just a bed in there.
I think the dresser was like in the closet or it was like in the hallway.
Right.
And it's just all these, we big football player dudes.
And I'm like, one of my homeboys is 290, he's 6'4", 290.
And we just big dudes.
And the other homie, he's 6'4".
I'm 6'3" and I'm a linebacker.
It's just a lot of dudes.
And I'm like, first of all, why are we, why is all these dudes on this one bed?
I'm gonna keep it 100.
But nowadays you be like, that's pause.
But this is 1997, '98.
You know what I'm saying?
Ain't nobody tripping.
We watching the game, we playing the game.
And his older brother was in there too.
He's 6'5".
It's just, and we just saying some of the craziest stuff.
We clown each other, we talk bad to each other.
And all in the name of love and just having fun.
I'm like, damn, those things you couldn't put on the internet now because we'd be getting in trouble.
[Speaker:TRAVIS] Yeah.
I think it's important to be documenting the process wherever we're at right now.
Now we make it easy.
Like our phones is cool, but like you had to go to Extra effort to actually do that, right?
So after you get this camera, what was the first skit or sketch that you remember doing, writing, and producing?
Once I got to college, I was shooting that, that year, that semester, and then I went home for Christmas break at the end of the season, end of the semester, end of the school year,
my freshman year.
And I started shooting sketches when I got back home to like my homeboys, because these are the homies that I knew from high school, and we silly, and we could sit down.
In college, ain't no— I don't think the homies even had, myself included, didn't have the
mindset to sit down and create a sketch idea and then actually act it out, do 1 or 2 or 3 takes.
And then I didn't even know how to edit back then.
So I think the sketches came when I got back.
It was still 2000.
Yeah.
I think my first sketch was a parody of a parody.
Don't Be a Menace while drinking your juice in the hood, right?
Where they was jumping the dude in, he was jump roping.
We redid that.
I redid that.
It was 2000.
It says at the bottom 2000.
And I'm playing one of the dudes that's about to get jumped in.
I'm about to jump the homie in and he gets jumped in and then we be jumping rope.
And you see him going like this.
Like he's about to get ready to square up with the homies and get beat up.
And it cut, we widen out the shot and he's about to do it.
He's playing double dutch.
And like, it's just, and he once again, these big-ass football kids playing double dutch.
And that was the sketch.
That was 25 years ago.
What did you do with that sketch?
I— it's, it's still up.
No, look, it's on YouTube.
I put it on YouTube years ago when they first— because there was no YouTube.
There was no YouTube.
And I don't even know if it's still up.
I'm gonna keep it 100.
I gotta find it.
I don't even know how to find it.
You put it— I'm saying you put it— I put it on YouTube.
But you're saying when you recorded, there wasn't no YouTube?
Yeah, the YouTube didn't crack.
That's what I'm saying.
You put it up after— you put it up a few years?
5 to 5— I think I put it up at the earliest 5 years after
2000.
So 2005 or 2008 or something like that.
Oh, I see, I see, I see.
Yeah.
And that was when I did the first thing I ever put up and I don't even have that page anymore.
Yeah.
I could probably find it.
I tried to find it a while ago and I couldn't.
But so you put, you put that up and it's terrible.
Were you like, like promoting it and thinking about views or anything?
No, I ain't know.
I just put it up so the homies could see it.
Right.
I put it up for the homies.
So I think I put it up and then I didn't even know how to send it All right.
I didn't know nothing about the internet like that.
So once I had to be around them,
I had to be around them to show up, to show up like, hey, to show them this.
Yeah.
And now, yeah, I ain't know nothing about views, monetization, nothing.
That never crossed my mind.
I was like, man, I put this video, I shot this video and I put it out and I'm happy about it at the time.
Now it's like, oh, not now, but like I think it was early 2000s.
I was like, this is terrible.
Yeah.
Now, 'cause this is before college, you know?
But it was lit when you did it though.
You like, yo, look at this.
Look at the editing.
The homies is terrible with the acting.
My acting was terrible.
You get it.
We didn't have no sound.
It was just, man, it was, and some of the homies don't know what they doing and I don't know how to direct them.
And so yeah, it's terrible now.
But like, that's why, so I've been doing this most of, more than half my life.
And I was in film, I was a freshman in school and I wasn't even taking film classes yet.
'Cause when you get to college, you gotta take the prerequisites first.
And yeah, you gotta take the classes that, you gotta take the regular classes just before you even get to your major stuff.
So I feel like end of my sophomore year is when I started taking classes for film.
The reason you're here is because I decided to start a podcast so that I can have engaging conversations with people.
By the way, this video will be monetized.
I'll make money off of it.
You need to start a podcast too.
You can have engaging conversations like this one, okay?
Which means you need to be at Podcast Summit 2026.
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So fast forward, when did you like realize, yo, I'm going to be a content creator and really start taking it seriously to start making these uploads?
Because we're like, we're probably hundreds of millions of views at this point, right?
I mean, right now.
Yeah.
Now.
I would say 17 years later.
17 years later.
Really?
Yeah.
Cause I was just, I was doing videos.
I think then my next video after that, I might've put, I might've put out
10 years later,
2010.
Oh wow.
I had, I had this page.
What was you doing?
You was working a job, bro?
I was working a job, man.
Where was you working at, bro?
I was trying to imagine this.
After college, after high school, after college I graduated.
Cause you can't work in college and you play ball, you can't really work.
Work.
You know what I'm saying?
So after college, my first job was, I was an afterschool program leader
at Rosa Parks Elementary School in Berkeley, California.
Shout out to my boy Lamont Snare, man.
It's my bro, my bro to this day.
You was a monster to them little kids.
They're like, oh my God.
Yeah.
But also I was fun too.
I was fun, man.
You know, I was a goofball, but I also had the 6th graders and that was like the hardest, the 5th graders, they were 5th graders.
That was the hardest class to have.
Cause they was like, we preteens and they thought they knew everything and nah, but I had them in order, man.
We was cool.
How long were you doing that?
2 years.
2 years.
2 years.
And then what?
And then I started, I was a personal trainer at 24 Hour Fitness.
Word.
Yeah.
So I would lead there.
I was doing that after I was a personal trainer for like part-time.
So I would do like nights.
I would do like maybe from like 6 to like 9, 6 to 10.
At 24 Hour Fitness in Richmond, California at the Hilltop Mall.
They had a gym in the mall.
It was cracking too.
That mall was cracking, you know what I'm saying?
Especially for the gym goers, you know what I'm saying?
So I was in there, that's back when I was in shape, you know.
What was your dream at this time?
I mean like what were you trying to do?
At that time I was still trying to play football.
What did you have?
Really?
I was working out and then I was hitting that.
That's one thing.
I was in the gym and I was like, I was broke.
You know, I got this college degree.
I graduated, but I don't have no bread.
I don't got no job.
So my boy Lamont gave me a job at the
at the elementary school and that was cool.
But I needed, I got a second job as a trainer and just to get in shape, get a free membership.
Yeah.
And at that point I got a free membership every, at all the 24 Hour Fitnesses.
So no matter, no matter where I'm at, I can hit the gym.
Gotcha.
And I was training, I was working out myself and then I met a dude there, my boy AD, Aaron Dunklin.
He was a, he was a transplant from, from Mississippi from when, when, what was it?
What's the, what's the, Katrina.
Yeah, Katrina hit and messed up, you know, ripped up New Orleans, ripped up Mississippi too.
Yeah, that was by the Bay, Bay St.
Louis, Mississippi.
Bay St.
No, Bay St.
Mississippi, not Bay St.
Louis, Bay St.
Mississippi.
That was what, 2009-ish?
That's 2006, '07 when Katrina hit.
Yeah, I want to say, or '06, because I started, I started working for FEMA around I guess maybe around that time.
Yeah.
And he was from New Orleans, he was from Mississippi, but his people had to come to America, had to come to America, had to come to the West Coast.
Yeah.
And so it was a lot of people from New Orleans and from like Texas and
more so more New Orleans and Mississippi.
Louisiana.
Louisiana.
Yeah.
And Mississippi that were coming out to, coming West and him and his family, him and his best friend and their dad, Charles Hawkins and Mr.
Olympia 2003 or '04.
Oh wow.
Yeah, they came out.
So these big buff dudes was up in the gym working out and I'm a trainer.
So I'm talking, they seeing me every day.
They in there 2 times a day and we chopping it up and I'm talking up, I'm talking with the homie AD Aaron and he's like, yeah, I play football, man.
I went to Mississippi State or something like that.
And I was like, I went to Cal up the road.
He was like, cool, what'd you play?
I played tight end.
All right, what's up?
And then I'm about to, I'm gonna try, I'm trying out for these football teams, these arena teams.
And we, I tried out for a few teams and I went
And I tried out for the Gladiators in LA and then the, I forget the, the, the, the San, the Bay Area team.
But— [Speaker:JUSTIN] And you ain't made nothing.
[Speaker:JUSTIN] I didn't make those.
But I made this, the Arena 2 Football League called the UFL.
It's the Ultimate Football League or something like that.
And I, I, I went down there to try out.
So I just packed up my clothes, man, packed up and I went with Aaron.
We flew to, we flew to New Orleans.
His mom picked us up.
At the time, I'm like 25, couple years after college.
I'm still trying to like make the league.
I still got league dreams.
I'm working in the gym.
I'm bouncing, I'm bouncing at this club called the Holy Cow.
It's like this bar in San Francisco.
You doing all big dude activities.
I'm a bouncer, I'm a trader, I'm trying to play football.
And that's what, and I wasn't doing, I was still goofy, but I wasn't filming it and I wasn't writing nothing.
I wasn't doing nothing with my major at the time.
You ever had to put the hands on somebody?
Oh, come on.
Yeah.
Even in college, college is the, it got to a point where the team started, 'cause that's the only job we was getting.
We can get under the table money.
Yeah.
Like doing, being a bouncer in college.
We was going bouncing in Frisco, bouncing in Oakland, bouncing in Berkeley on campus and like frat parties.
Frat parties be the worst.
Mm-hmm.
'Cause some of the homies know you, some of the people know you.
Yeah.
And they people say, hey, just let me in.
Can't let you in, bro.
You ain't on the list.
So some dudes said they trying to sneak in and and then they trying to bum rush the door and yeah, one of the homies knocked out the kid.
What?
And then he got, one of the other homies got hit in the head, one of our teammates got his jaw broke and he couldn't play.
Coach was like, all right bro, y'all gotta, yeah, y'all gotta stop.
No, no, no more bouncing.
Yeah.
'Cause bouncing basically mean fighting.
Right.
But that's your bread at the time.
At the time, that's what, yeah.
So he's not on scholarship and I wasn't on scholarship.
Scholarship.
Yeah.
You know what I'm saying?
I got, I was a recruited walk-on.
Yeah.
I was recruited there, but I already had this, I had a academic scholarship to Cal.
Gotcha.
And so, so after, at this point, when did we become a creator?
You say in 2010, you said?
I was already, before there was social media, I was already creating stuff.
So you were still in this process while you on the football, like on the football path.
Yeah.
Trainer, you're still creating content.
I was doing stuff like back then I was doing more like, Drewski type stuff.
Like I was just having somebody film me walk around campus dancing and I'm like playing music.
We had like a boombox and I'm over there just, I got pictures of that too.
I'm like 19, I got a cop uniform on with a Jheri curl and I'm walking around, I'm going, I go in like the little dining commons, the little cafeteria, he recorded me just dancing.
I grab a girl, I start dancing on her or something like that.
Everybody knew I was a clown.
So that's his job being a job.
You know, this is, we talking about 2001, 2002.
And you know, I was doing that back then.
So just, and I didn't really have no structure as far as like this, I'm about to do a sketch, I'm about to put together, I'm about to write a story and get actors and get to directing
them.
I didn't have that yet.
You know what I'm saying?
So, but that didn't come, you're saying until 2010?
2010, probably.
Yep.
I was doing sketches for, I was doing like my favorite TV scenes or movie scenes.
Right.
I was making a version of that.
You know what I mean?
I did one where
I did like a,
I was doing, I don't even think I can, I gotta see if I can find that.
I did like a, not Othello, but like a Shakespeare type gangster project where it's the homie Lil' Macbeth, you know what I'm saying?
He was tied up in the basement with somebody that the gangster, the opposition, the ops had him and we had to go free the dude.
So we snuck up in there, we walk in and we go through the back door.
You go through the front, I'm gonna come through the back door, pause.
And then I'm gonna put a gun on him Free the homie.
And so we was doing shit like that.
But so your, that was the process, was you're writing it or you're just freestyling it while you're shooting it?
I'm freestyling it.
I didn't even know how to write yet.
So, but here's a record, do it, stop, do that again, record.
So you're, you're producing like, oh yeah, yeah, yeah.
This is 20 years, this is 20-some years ago.
I'm in College Hill, I'm 2001 or 2002.
Yeah.
I remember one of the homegirls had me, remember Eliminate?
What?
Eliminate?
I think it was on BET or MTV.
It was like a dating show where you go on, like a girl or a guy goes on the show with like 2 or 3 different people and throughout the day she eliminates one person after the second
date.
I don't remember that particular show, but I've seen stuff like that.
So the Kappas, the Kappas on campus, shout out to my boy Chris Bailey, who I ain't seen him in years since college damn near.
He was like the guy, he was like one of the photographers for the high school, for the basketball team.
And he had this camera, he had the first guy's team with a digital camera that he could shoot video on.
I was like, oh snap, what's that?
'Cause every year, every camera I know, it was like a big old camera you had to put on your shoulder.
And, or what I had, I had like the little camcorder situation.
And he had like a, it was a Canon, something like that.
And we filmed, their version of Eliminate.
Okay.
Where a girl goes on a date with 3 different guys and one of the guys was my teammate, my boy Burl, and other dude, I think his name was Troy, Wesley, the homie.
He went to college.
Well, we was all students and classmates together and I forgot who the girl was, but that video was dope too.
And he basically, I got hired to film that and edit it.
Oh, word.
Yeah.
Is this your first job essentially?
Like where I made money from this?
Kind of, kind of.
Yeah, in college.
It was like, I don't even know.
I don't know if I got paid.
Lead.
Yeah.
But I got hired, like, you the one doing it.
And I was like, hell yeah, I'm ready, let's do it.
So he was outside filming the whole night, the whole date.
And she ended up— the homie was clowning, he being goofy, and I was behind the camera.
Yeah, I was— I wasn't even in front of the camera, I was behind the camera.
And the homie Burrow, who— he's like the, the receiver coach for UCLA right now.
Yeah, but he played— he played in the league, he played, uh, for the Redskins.
And— but this is back in college, we were just trying to figure it playing ball and trying to, we was goofballs.
We had our little jokes, our little sayings.
Every party we go to, every football, basketball game, not football, but basketball game or track, you see us, oh, it's like a pack of us that's going around clowning.
We was like the goofy crew.
I love it.
You know what I'm saying?
So let's get to where this becomes a thing.
Yeah.
So when did it become serious?
Like, yo, I am a content creator, I'm making money from this as well.
Oh, okay.
So those two different things.
Okay.
It became serious way before the money came.
Yeah.
You know what I'm saying?
And that's another thing.
When'd you get consistent?
I got consistent 2017.
2017 consistent?
2017.
Yep.
Oh.
2017, I was living,
I was living up in the Bay.
I was doing commercials.
I was auditioning for like commercials.
I did a Nike commercial where I was like Terrell Owens stand-in.
Once again, I was way better shape back then.
People used to always say, you look like T.O.
And that's when he played for the Niners back then.
And so every time I'm walking through San Francisco, they're like, T.O.
I'm like, nah, man, I ain't T.O., man.
I was a tight end.
So I'm, but we ain't too much.
I'm like maybe 15 pounds heavier than him.
And so I auditioned for this commercial.
I got it, a Nike commercial.
It was NFL Street, NFL Street commercial.
And it also, it was another commercial with Michael Vick.
And T.O.
is like a computer.
It's almost like this is back in the day where CGI probably, but now it'd be AI.
And I played his stand-in.
And so I'm dealing with all the running around, all the route running and stuff like that.
'Cause he's a celebrity, he the real route runner.
But I'm a former college player.
At this point I'm done playing.
It's like 2000 and
2000, maybe 2007, 2007.
And David Fincher, David Fincher.
People who know film, they know David Fincher's one of our best filmmakers of this era.
Really?
Or maybe of all time.
What'd he make?
"Seven." He made several movies, but like "Seven" with Brad Pitt and
Morgan Freeman.
That's the movie he had, I think he had just made at the time before, and he was also doing commercials still too.
Like big profile, high profile commercials.
And I remember asking him like all these questions about the camera, about directing, and then he was like, "Hey man, what do you do?" He asked a lot of questions.
Athletes don't do this.
They just be in the, they be talking to the girls or doing something else.
And I'm like, man, I'm interested in what you doing.
And I told him, I'm a film major.
I went to Cal, just graduated.
He said, what you doing here?
I was like, this, I'm acting.
And he was like, I'm an actor too.
He was like, where are you from?
I was like, I'm from LA.
He was like, why are you, what are you doing here?
Well then one day I meet David Fincher.
David Fincher is like,
he's white.
So he's not Spike Lee.
'Cause Spike Lee, he's our bro, he's a brother.
Yeah.
But he's, he's on the same level.
You know what I'm saying?
Some people, some, he's some, some people's favorite director.
Everybody knows him.
He's the director's director.
So Quentin Tarantino, Scorsese, they all know David Fincher.
He's in that same light.
If you type him up, you're gonna see, and I'm drawing a blank now, he has a slew of movies and TV shows.
David Fincher.
David Fincher.
He is, he is the director's director.
Everyone loves him.
You know what I'm saying?
And he was, he was directing this music, I mean, this, this commercial.
I didn't even know who he was at the time, other than I knew at the time he had just did Seven, so I knew that.
Yeah, but he became— he did Seven, Fight Club, yeah, Gone Girl, The Killer Zodiac, yeah, The Social Network, the joint about Facebook, that was fire, fire classic.
He did The Game, The Girl with the Dragon Tattoo, yes sir, The Adventures of Chris Cliff Booth, The Curious Case, Alien 3, yep.
Mank.
He did Panic Room.
Yep.
Yo, he— the list goes on.
Panic Room was back in the day.
He's Indiana Jones.
Yeah, in 1984.
I'm gonna ask him if he remembers one day, because one day he gonna know who I am, and I'm like, do you remember telling me, man, that we'll move back to LA?
He said, go back home and direct, man.
What are you doing?
What are you doing here?
Because the Bay Area, you can cast for commercials and do TV spots, but it's mostly commercial work.
Work in the Bay.
He was like, LA is where you gonna make your money at and make your career.
Go home.
Wow.
He told me that.
And so I always remember that.
And then he became, he was already David Fincher, but I didn't know him as the David Fincher he is now.
Right.
And so what, what did you pick up from him at the time?
Nothing at that point.
Just, hey man, go home.
What are you doing here?
Right.
He, and you know, and just when you got people who are go-getters and people who are dreamers and are living their dreams, they don't have room for doubt.
They don't have room for procrastination.
And so it was more situation where he was like, hey, go, get outta here.
He said, man, what are you doing here?
Stop wasting time, leave, go home.
So you go back to LA?
I go back to LA.
And then what?
And then I transfer gyms.
So now I'm in 24 Hour Fitness down there on Crenshaw and 120th.
All the homies know that that's a cracking gym right there.
So I transferred my gym from the Bay from Richmond, California back to LA.
Yeah.
And, um, I'm in Hawthorne now.
Yeah.
And, uh, I get an agent.
Um, my aunt knows I was acting agent.
Acting agent.
Okay.
Yeah, in 2009.
So I moved back to LA in 2008, and, um, my aunt knows I've been goofy my whole life.
She was like, and I was like, I want to do comedy, I want to act.
And she's an actress.
Yeah, my Aunt Deborah.
So she was like, well, they got an open mic down in the, at the Comedy Union.
In Pico, it's in Mid-City, you know what I'm saying?
Pico.
I said, cool, every Monday.
Open mic for like standup?
Standup comedy.
So you're about to go do standup?
Yeah.
You've never done standup before?
Never done.
So look, I did standup in 2007 twice at this spot called the Wash, the Brainwash.
It was a laundry room slash cafe slash comedy store, a comedy venue.
And they had like a small stage in the cafe and you go up there on Tuesdays or Thursdays and do like an open mic situation.
I didn't know any comics.
I didn't know any, I just knew athletes.
So I didn't really have a tribe of comics at that.
Like, it's not like when I moved back to LA is when I met all the homies that I do comedy with now.
And, but up there it was like, man, we don't know nothing about comedy, bro.
So I'm trying to search for it.
And then I had one of my homeboys, he was like, yeah, I know a comedian.
He goes to Kimball East.
He goes to comedy.
He does comedy in Oakland.
And by the time I met that guy, he said, hey man, they closed the spot down.
I moved from back to the Sac.
So I was like, damn, where is the comedians?
Where's the— I don't know.
It's a lot of comedians in the Bay.
I just don't know them.
Yeah.
And so I stopped.
I lost focus.
And, you know, comedy is not easy, especially when you start, when you're not even good, you start off and you know what I'm saying?
So I stopped in '07 and I didn't pick it back up until '09 when I moved back to LA.
I moved back to LA in 2008 trying to, you know, get— I'm working as a trainer.
Trying to find an agent and I auditioned for CAA, not CAA, I wish that would be dope.
At the time it was NCA, Nancy Childress Agency.
I auditioned for them and they represented me.
I did a solid audition.
Did they get y'all, did they get you some gigs?
They got me auditions.
They got me auditions and you gotta get the gigs, you know what I'm saying?
So yeah, but they got me auditions and I didn't book a lot.
And I didn't book nothing to where I became a working actor.
I was always an up-and-coming actor.
I booked a few things.
I booked like commercials.
I did like a music video.
I actually, I did a commercial with Method Man back in the day.
Oh, word?
Sour Patch commercial.
Yeah, Sour Patch commercial back in '09.
And that was my biggest payday at the time.
I'm thinking, oh yeah, I'm about to be rich.
How much did you make?
I think I made $5,000.
5 grand?
That ain't bad though.
It was a buyout too.
Buyout means that you don't get like residuals and shit like that.
You know what I'm saying?
You just get like, they just pay you for the 2 days of shooting and which is like $500 a day.
Yeah.
I'm like, well, $500 a day?
And the first day I didn't do nothing.
I just sat there.
No, the second day, the first day I did the scenes.
Yeah.
And the second day they bring you back just to make sure, just in case they gotta do something else.
And I was just there chilling.
Meth was cool as hell too.
Super cool.
This is before Power.
This is before, yeah, he might've been doing The Wire at the time.
Shoot, he's still Method Man.
Oh, he's still— he's been Method Man since the '90s, I'm saying.
Sure.
And so that's another— hold on, and when was How High?
What year was How High?
That was like, had to be early 2000s or something.
Yeah, I mean, yeah, so he was already acting.
Yeah.
And he was— and this was like a music video, but it was a music video that wasn't going on like MTV Raps or nothing like that, or Rap City.
It was like, it was a, um, it was just Internet commercial because he can cuss and he was talking, right?
He, he wrote a rap for the Sour Patch commercials.
You could probably find it if you look it up.
Um, but it was dope.
So, so we, we're here, I'm in LA, I don't have no camera yet, right?
My old camera— when did you get the first camera?
Because like 2010 got the first camera.
That's what I got focused.
That's when you locked in.
I thought, I thought I got— how was you planning on making money?
Um, how are you planning on making money?
I wasn't.
Oh, at that time I didn't know how to make money.
Only way I was gonna make money is if someone paid me to shoot their sketch, their music video, their short film.
So you started doing that stuff?
I started doing that, yeah.
Okay, you grabbed the camera and now you start shooting.
Now I still don't know many actors.
I know all comedians now.
Now my surroundings are comedians, yeah, who are actors already.
But like, so I'm like, hey bro, it was like 2010, I just got this camera and my new, I started doing everything for free.
Yeah.
That's what I'm saying.
I was, I had a job at that time, 2010.
I started, I started teaching, I was doing, so I was doing personal training and I was a substitute teacher
for high school.
Bro, I love this story, man.
Cause people think you just pop on the scene and they don't really think about the history of all the stuff that you had to make happen on the way to the street.
Right.
Right.
But from 2010 to 2017, that's 7 years of nothing really hitting like that.
Nothing.
I'm not going viral.
I'm dropping stuff here and there.
No one's caring.
No, I, I'm doing— nobody on YouTube at this time.
On YouTube.
On YouTube.
And I didn't even know about making money.
And my thing is I was just gonna show— I was doing, I was doing like short films and like little, little sketches here and there.
Didn't know where to put it.
YouTube was the only place to just put it put it up so you can— and I didn't, I wasn't even like, here, put it up and I'm gonna send it to y'all so you can see it.
It was like, put it up so I can show you when I'm in person with you.
Yeah, go to YouTube and type in the video and watch it.
Look at it, because you're not thinking it like someone's just gonna find it after you put it, right?
Right.
And, and, and I remember YouTube was cracking at that time, and Vimeo.
Yeah, Vimeo started cracking, so I started putting stuff on there.
And then I was watching— I was— they had like movie of the week.
They had— Vimeo was like the first place I thought, oh, you I mean, you can, they have film festivals on Vimeo and you can like put your film up there and have somebody rate it and
judge it and you might win something.
I never won anything, but I also wasn't consistent.
I wasn't putting up nothing that I think was worthy of
winning something.
At the time I thought I did, but look back now, I was like, okay, this is the mistakes.
This is the chinks in the armor of the project.
Yeah.
What about Facebook?
Were you putting it on Facebook at that point?
I don't think it was, no, because Facebook was mostly pictures and like vlogging almost.
Yeah.
Gotcha.
Or blogging.
Mm-hmm.
Yeah.
I, I believe.
And, and at first Facebook wasn't cracking yet until you had to be a college student.
Yeah.
And I was one.
Yeah.
But that was like '02, '03.
I graduated in '04 and, and it wasn't there.
Right.
I mean, it was there, but you had to be a college student.
And, and the only way you can get on Facebook is if you had a college email.
Yeah.
Email address.
Yeah.
And I stopped using my, my college email
college email halfway through my college career.
I had my first email.
My email at the time was yahoo.com.
Yeah.
But, uh, my, my email back then, my first email in college was, it was jobpick, jobpick@uclink4.com.
That was the, that was the UC Berkeley, yeah, uh, email.
So, but I, I lost, I forgot my password and all that stuff.
So, but around 2017, so from 10 2010 to 2017, 7 years you're putting stuff up on YouTube every now and then, Vimeo.
Yeah, every now and again.
Yeah.
What happened in 2017 where you're like, oh, I got something?
So look, I was, um, I was at that time, I wasn't teaching no more.
I was a bodyguard for Dame, my manager now.
I was a bodyguard for him.
You were his bodyguard?
No, I was his artist bodyguard.
He, he wrote— you're a bodyguard for his artist?
For Dizzy Wright and Hobson.
Yeah.
Oh wow.
So he was popping like West Coast.
I never heard of him, but yeah.
Oh yeah.
They popping on the West Coast.
And that's one thing I learned too.
You don't have to be an A-list, like mainstream artist to be able to travel the world and have a fan base that you need security for.
And that's what I learned.
I said, oh, these dudes and they pop.
But like, you got guys doing festivals and they doing $10,000, 10,000 people in the crowd.
50,000 people in the crowd.
And you got people who's doing 500, 200 people in the crowd and you can live off that.
Yeah.
You know what I'm saying?
And then if you run a label that has multiple artists doing that, you looking at a successful artist.
And it's so, and as people who know music, the industry, which I don't really know, I'm only learning it from like the being around, hearing the conversations and watching things.
You can, you don't need millions of fans.
Yeah.
You need a few hundred thousand, you know what I'm saying?
And you can be good.
You build your tribe, you can build your, and you can build your fan audience.
And these people don't ever have to be A-list famous, but they can be the favorite rapper of somebody across the country, across the world.
And so that motivated me too.
That was one, another thing that like, hey man, I gotta get my life together when it comes to this art.
'Cause I'm bodyguarding, which is cool.
I had a great time.
For 4 years.
So I traveled the world with these guys, you know what I'm saying?
And I'm like, they be in Australia, we in New Zealand.
[Speaker] Wow.
[Speaker] Yeah, yeah.
And they fans are coming out, they just around the block waiting for these people.
And so, yeah.
And I was like, and these guys aren't known by every single person in the world.
You know, of course you got the Drakes, you got the Kendricks, you know, you got the Jay-Zs at the time that came before them.
But like, you got guys who do, they have their own tour.
I'm talking about 20, 30 cities.
And they going around the country doing 200 to 1,000 people in the room.
Incredible.
And they doing cool and they making money and they doing meet and greets.
And now I noticed that I watched it, I was part of it.
And so it just motivated me to start writing.
And this is 20— I started doing that in 2014.
Okay.
End of 2014.
I just finished going back to film school.
I went to film school 10 years later to just to learn what's being taught now.
In 2014, 10 years after I graduated with my film degree.
And after I graduated, it was like a situation, it happened all at once.
I went to the movie theater, I went to the movies by myself, turned my phone off, and the movie went off.
I turned my phone back on, I got all these messages, notifications.
And one of the messages was from a blast text from my boy Dame.
And he was looking for a new security.
Bodyguard for the next tour that he was going on with his artists.
'Cause he had, at the time he had 4 artists and 3 of them were touring.
You know what I mean?
And he was like, man, me and him knew each other from college.
He was like, bro, I've been bouncing since I was 17, 18 in college.
And he was like, man, if you got time, man, let's sit down and talk and see.
He offered me the opportunity to go on tour, like a mini tour.
Mini tour would be like 3, 4, 5 cities, 3, 4 days.
And I was like, ah, I just finished this film school.
I just made this little short film for class.
I had the best film in the class.
And my teacher's like, man, you on your way.
You just, you gotta keep making it.
And then the homie's like, bro, you wanna be, you wanna be a bodyguard for my artist?
And I was like, ah, I kind of was done doing security at the time.
You need that little bread though, huh?
Could use that little bread.
I could for sure.
But at the time, how I always moved, I always move to this day.
It's not, it's never about the money.
Even as broke as I was, because I was looking for a job.
I was done with this, I was done with school again, and I was like, I don't have no job.
Do I go back to teaching?
I want to go back to teaching.
I just got— I was sitting for these last couple of months, I'm filming, I'm doing film work again.
My first time really involving myself in film every day, going to class.
I was loving it.
And then to go back, to go back to the classroom to teach math and science, I was like, yeah, nah.
So when he hit me up about going all— going out the country or going out of state
to do touring, to do bodyguard work.
I was like, damn, that's not something I really wanna do no more.
And I'm thinking about doing real bodyguard work on tour.
I said, what artists you got that needs bodyguard work?
And I'm not carrying no gun, man.
I'm not doing that.
I don't wanna do all that.
And he was like, no, my artists aren't like that.
They more, one is kind of radical, but he's not a violent person.
He don't have a violent crew of people that follow him.
And the other one is like a laid back dude, hippie style guy.
He's all about fun and positivity.
So you did take the job?
I took the job.
Loved it.
So, but so, so, so take me up to where you start being a creator.
What happened in '17?
2017, I went to Sundance Film Festival.
One of my homeboys, one of my old teammates from college, one of my closest friends in the world, man.
Still my brother to this day.
And we were film buffs in college.
And he made a film.
We made a film together in 2012.
Of a short film that we submitted to Sundance, didn't get in, it wasn't ready.
And I look back now, I'm like, that was definitely not ready at the time.
But we made a film, it was dope for the time and for our experience level, that was fire.
And then 5 years later, he gets accepted with a feature film, his first feature he made, he got accepted to Sundance.
What year is this?
This was 2017.
January 2017.
January 2017.
2017, um, he gets into the pro— he gets into the film festival, wins it, wins Viewer's Choice, wins— he wins out.
It's like 100 movies in the pro— in the festival.
He wins it, number one movie.
And I'm like, man, it's his first feature.
I've been knowing this dude since I was 17, he was 18.
Now this— this— I've been knowing him since '99.
Yeah, that was 2017, and he's made this film I was like, man, I got to go home.
And that changed everything for me.
I saw him.
I saw how he didn't know nothing about filmmaking in 2012 at all.
5 years later, he put the work in, put the time in.
He learned.
He produced his own film.
He starred in it.
You know what I'm saying?
He co-starred in it.
And it was LaKeith Stanfield's first, I think, lead, leading role.
And before LaKeith was who he is now.
Wow.
And he won Sundance.
I was so motivated, bro.
It just brought, it just poured so much life into me, that experience.
And I went back home, I dusted off my cameras and I started doing sketches.
And I was like, every day until something happens, until I can leave my job.
I was still a bodyguard.
So, but there were times where we didn't go on tour, we'd be gone 2 months sometimes on tour, traveling the country.
But when I'm home, I'm shooting, I'm writing, I'm figuring out ways to, to make somebody laugh online.
And IG was the place I started, Instagram, and 1-minute videos.
Bro, I think I might have came across your content 20—
it might have been 2018.
So at that time, you only been serious locked in for a year?
Yeah.
That's crazy.
I'm thinking, bro, I missed out because this dude been doing this.
And like, I mean, you've been in the industry, but you locked in for— I was doing— I was doing like rant videos, kind of Right now, if you look at who do you know that blew up, you
know, kind of how
just talking to the camera about something silly, doing like a personal rant.
Like, man, I hate when you go to Starbucks and they yell your name out, but they whisper it.
You say, yeah, what'd you say?
Did you say Jah?
What'd you say?
Yeah, yeah, your frat been ready, man.
It's over there.
I said, I didn't hear you say my name, bro.
It's loud in here.
You got music playing, man.
Say my name loud.
I'm saying, so I'm doing a 1-minute rant about that.
Yeah.
And I'm dropping it.
And those— and sometimes, because I know other people were doing the same thing, like DC Young Fly was doing those type of videos.
Yeah.
Just talking shit.
What are you being at here, boy?
And then he blew up, you know what I'm saying?
So a lot of personalities were just— and that was— it was a way of me practicing my bits on stage, stand-up comedy, just throwing the camera up and just talking to the camera.
I had a lesbian— the lesbian homie kind of derived from there.
I had to joke about Lesbians, studs, if you attractive, you still just a woman to me.
Yeah.
Yeah.
You call yourself a stud, you just a beautiful-ass tomboy to me.
And that's one of the jokes I did back in 2014, '15.
Wow.
And so I was doing that and I didn't have no tribe yet of people who I can just sit down and shoot sketches with.
I knew a lot of comedians, but a lot of them ain't focused.
And I needed the focus that I ended up getting in 2017.
I didn't have the focus all the way and I didn't know anyone else that had the focus the same way that I needed it.
It.
It's funny how life works like that.
When you lock in, you're automatically attracting people that's locked in, right?
And that's what I'm saying, like, this— do what you can.
Don't wait for the— don't be perfect, be consistent.
Yeah.
Um, and just— I just started working.
I— at that point, when I came back from Sundance in January, um, I started doing sketches officially because I was supposed to go back to tour.
I was supposed to go to Europe with Dizzy Wright, you know what I'm saying?
but at the last minute he couldn't take me.
It made sense.
He was going, he was on someone else's tour.
He's not as popular in Europe as he is in the States.
So he didn't really need me to go.
And so I ended up not going.
So I was like, damn, what am I gonna do now?
I'm sitting here stuck.
And then one of the homies asked me to shoot a sketch for him up the street from where I live.
He lived 8 minutes from my house.
And I went over there, shot a sketch for him and his wife.
And then he asked me to come back the next day.
And I came back, I had nothing else to do.
So I was like, yeah.
And I had just finished the Sundance situation.
So I'm in the mood to shoot stuff now.
Yeah.
So whenever you need me, bro, call me.
And then the next, the third, the second day I came, I met another guy named KP and he was like, bro, I got a sketch house where everyone shoots content.
All these content creators, you should come up there every Thursday at 11:30 AM to 7:30 PM.
I was like, okay, I'll pull up.
So explain the sketch house.
Cause I think I remember either you or
was it,
dang, who's the other cat in
I met you at his house when y'all were shooting.
Is it Nelly?
I took you with me to Cornell's house.
Cornell, yeah, yeah, yeah, Cornell.
It was hilarious.
So yeah, so I think he was telling me about the Sketch House, but I didn't understand that question.
He was part of a different crew initially, and we all ended up just working together as well.
But like, Sketch House was a place, it was in Van Nuys.
It was just a house.
House.
Two guys ran it.
They, they, um, it was a house they lived in.
This house was like a 4-bedroom house, right?
And they, they opened it up to the public, but it was like, it's like an invite-only situation where they invite you to come over to the crib every, just once, one day a week on Thursdays,
and you can shoot sketches free.
Free.
What's the business model?
Like, was he— he wasn't trying to make— they weren't trying to make money.
They was just trying to build that.
They was trying to network.
They were also creators too.
Got it.
So they were also— they did casting for like music videos, so that it was a way of pretty girls to come up there and be in videos of other guys.
You know what I'm saying?
The play.
Yeah.
So it wasn't a transactional situation for them in that way.
After a while I was like, man, you should charge us.
Yeah.
You should charge us to be there even if it's like $15 a month.
For sure.
So you can have paper towels and toilet paper and cleaning supplies.
'Cause the house, the carpets are looking crazy.
All that traffic in there.
And then a lot of people was coming in there and misusing the place, not cleaning up after they made the mess.
And I'm like, y'all disrespectful in here, boy.
But
they were two guys that were creators and shout out to them, B.
Moore and KP.
They created this place for us to all come and network.
And that was dope.
And it worked for some years.
And then after a while, things got weird around there.
You know what I'm saying?
People start messing up, getting, you know, you know, viral and having egos and stuff like that.
And then we ended up having to leave that spot.
That spot kind of, that spot kind of closed down, right?
And, and so after that, the people I met there who I thought were conducive to the kind of stuff I was doing, who I think I can benefit with, I kind of kept those ties with those people.
So you start going up to the sketch house.
Yeah.
What's the first, video that hit for you?
Tiberius.
Tiberius.
Yeah, that was my third video.
This is like, this is like probably April, end of April of, or March of 2017.
2017.
Did it start paying you?
No, no, no, no.
You only make no money.
It's just viral.
It's just viral.
You popular.
Yeah.
So you get the popularity.
Where'd the money start coming from?
20, probably the end of 2018.
2018, maybe really 2019.
From YouTube?
From YouTube, yep.
I wasn't monetized on nowhere else.
I got monetized on YouTube first.
How was the money coming in?
How much was it like when you saw like, whoa, we got my first— well, um, my first check was about $758
for that month.
I was like, oh, but before that, I didn't even know.
I found out I was monetized by looking for, uh, a YouTube downloading, a YouTube ripping
app because I had the one I was using was discontinued.
It stopped working.
So I went on the Apple Store and looking for another app that I can download that I can rip YouTube videos from and use it in my content.
And I downloaded this app called YT Studio.
Yeah.
And I'm thinking this might be an app that I can, I can rip videos from like the other one.
It wasn't.
It was, it was like an analytic app.
Yeah, an analytic app.
I was like, what is this, man?
I'm looking through different tabs.
It says like viewing Membership, and I'm like, all right, this ain't what I want.
I'm about to delete this.
And I saw something that said revenue, and I clicked on it.
It's a button that said revenue, monetization.
And I was like, I clicked on it, and it says monetized, 6 cents.
I said, what?
It's 6 pennies.
So that's how much my page is worth.
I said, but I was like, oh wait, it's monetized?
I can make— I've made 6 cents?
Okay, hold on, that's changed everything for me.
Me.
Really?
And I wasn't really focused on YouTube yet because YouTube— I was dropping on YouTube over the years and nothing was happening.
I wasn't— no one was caring, no one was watching.
So I just started using the app that was showing me the most attention, which is IG,
you know what I'm saying?
Around that time, I might have had like 10,000 followers, but before that I had 358.
I don't even think they was paying at that time, Instagram.
No, absolutely not.
And if you were, it was like through brand deals, and I didn't know how to get those.
But you see this YouTube studio, you're like, I made 6 cents, I made 6 cents, I can make $6, I can make 6— 60 cents, $6, $60, $100.
And I knew I could do that if I could make 6 cents.
And I only had like maybe 5 videos on there.
Yeah, I wasn't really focused on IG— I mean YouTube at the time.
And then, um,
I had all these 1-minute videos from you, IG.
Already banked up.
Yeah, on IG.
So I, I took those same videos and put them on YouTube and started— things started going.
I put 1-minute videos every day, 1 video a day.
Wow.
So now my YouTube got access, it got, it got, uh, it has, um, attention, it has, it has traffic now.
Every day I'm dropping something, 1-minute videos for 11 days straight, and my, my membership boosted up.
Wow.
My subscription boosted up.
And then I was like, man, I started dropping like 8 to 9 videos, sometimes 11 videos in a month.
Yeah.
Back to back.
Locked in.
Yeah.
And that's around the time that we met.
Yeah.
Really?
Yeah.
I just started making a little bit of money right around that time.
Yo, that's so incredible, bro.
Because I'm thinking you own LA, bro.
I'm like, yo, this man owns LA.
He's the creator of all creators.
I know he getting to this bag.
Nah, the first part, Yeah, I was the dude in LA, you know, myself at the time.
But the money wasn't there.
I would say when I mentioned like owning, like running the street, running the social media, the comedy world at that level, it was me and Watts, me and Watts.
And even to this day, it's still me and Watts, Homie Quan.
But no bread at the time.
Light bread.
Light bread.
When I met you, I was starting to make some cheese.
Wow.
But I was still, yeah, I had just started around there making some money.
But I was already known everywhere.
I'm taking pictures and, sign autographs and stuff.
Wow.
I was still broke.
So when did it really escalate the money?
When you started doing longer content, or was these 1-minute videos hitting?
1 minute, then it started going to 3 minutes.
Yeah, 1 minute.
I started doing 3-minute videos because you can't do nothing more but 1-minute videos on IG.
But when I got monetized on Facebook, on YouTube, I was like, oh, I could do longer content.
Yeah, so I could be even more creative because that 1 minute on the skits, I started doing like longer sketches you know what I'm saying?
So the same thing I was doing, that was doing 58 seconds worth of funny, I was doing that.
I was doing 3 minutes and 10 seconds, 2 minutes and 58 seconds.
I was making sure, yeah, you had to be on, had to be 3 minutes or less, 3 minutes or more on Facebook.
Yeah.
Even though I wasn't monetized over there, but I was dropping every video on Facebook as well.
Not knowing that my following is growing on Facebook.
I wasn't paying attention to Facebook.
'Cause IG has it to where you can drop on IG and the same button goes straight to Facebook.
Yeah.
Through IG.
Yeah.
They were connected.
So I didn't know that.
So any video, any 1-minute video I'm doing on IG, it's also going to Facebook, but I'm not paying attention to Facebook.
Got it.
I'm not making no money.
I'm just doing it for the love.
I love the art and I love the content.
So I'm just dropping it everywhere.
And then I looked at Facebook and I had 55,000 followers.
Now no money.
I'm going viral over there.
Every 5 out of 10 videos, I'm 6 videos is hitting a million with no bread.
No bread, bro.
How is that possible?
Because I wasn't monetized.
You too?
Because at one point in time, Facebook only had— they had like a beta program to where— I found this out— they had a beta program where they were trying out new creators and giving
them opportunity to make money.
The homie Cornell was on that program.
I didn't know him that well yet, so I didn't feel comfortable like, hey man, how can you get— how can I get on there like you.
I'm not monetized.
We both going viral over there, but you making money over there.
You was getting to the bag.
I was, I was broke, still broke, you know what I'm saying?
But I had 55,000, I had 70,000 followers over there, then they jumped up to 155,000, and I'm still, uh,
not making no bread.
I think I might have been monetized by then, I'm not sure, but I don't think so, because when I started getting monetized The bread got crazy on Facebook.
Yeah.
I remember you told me that Facebook actually pays more than YouTube.
Way more at the time.
At the time.
What was the first video that you really got a bag off of?
What is like YouTube?
It's never like a video because I was dropping so much.
I, like I said, I never really looked at the analytics to know which money was making the most, what video was making the most.
Most, to keep it 100, I was just like, oh, I just dropped 7 videos this month and this is how much I'm making.
Hell yeah, cash that out.
I wasn't like, which one makes the most?
I was just dropping content.
You were just working.
Because that's my model is still the same way and I need to be more intentional.
But Dame is the guy.
Dame is the guy that he's gonna look at the analytics.
He's gonna make sure when, what the numbers are doing, how they're increasing.
If they're not increasing the way we need them to, why?
He's doing a lot of that.
Got it.
Got it.
I'm just creating the content.
Like, I love this work.
I think it's hilarious.
I think y'all gonna like it.
Here.
Yeah.
I don't even read comments like that.
Not cause I don't care because it's up to, hey, I'm just here.
I'm in work mode.
I just want y'all to like it.
And, and if y'all don't like it, cool.
That's fine.
Yeah.
But if y'all love it, great.
You know what I'm saying?
Keep watching.
I got something else for you.
By the end of '18, do you remember around how much you were making where it's like, yo, I'm getting it.
I'm getting to this bag.
What was it, '19 where it really took off?
2019.
2019 it kicked off.
2019 where I was like, I can move out.
I'm about to move into my own little spot.
'Cause I had a roommate.
Where were you at financially then?
I moved into a spot, probably was, probably had a couple hundred thousand.
Really?
Yeah.
Every month?
Every month I was on average doing,
Combined?
Yeah, probably about 60 to 70 bands every month.
From 2017 locking into 2019, ratted up 60, 70 bands every month.
2017, 2019, not making no bread.
2019 is where I made some real bread.
Matter of fact, yeah, I would say I think 2019 is when I started making it.
I got monetized.
Yeah, because I was monetized.
I realized I was monetizing into 2017— 2018, I mean.
But I wasn't making no money because it was a— it was a— YouTube was monetized, but I wasn't— I didn't have no content over there.
So I had 6 pennies over there.
But in that year, you realized, oh my gosh, I made crazy grand.
And now it's my— in '19, it's— yeah, 2019.
2019.
I remember I was going— I went to Vegas for my homeboy's, uh, bachelor party.
Yeah, he was getting married.
So we all went, we all met up in Vegas, one of my teammates from college and one of my brothers to this day.
So we all met up there, but I had no bread.
I had a little bit of cheese.
I had enough to get, I had enough to, for my, we got an Airbnb.
I had, we all, it was like 10 of us.
Yeah.
And we had this big Airbnb.
We putting like $300 each up and I had my money, but I know once I get there, I think I drove, I like ran the car and I drove to Vegas.
Had the money for, I had the money for that.
But on my, while I was in Vegas, it was like the 20th.
I get paid every 21st or 22nd of every month.
Yeah.
So I got there on the 20th and the next day my check came in.
I was like, oh, now I'm in Vegas.
Now I'm doing it.
I'm cool.
I got a, I got a, I got a couple thousand dollars.
And at the time, that's how I was, a couple thousand dollars I had just got.
So cool.
I could pay my bills and everything.
'Cause my bills were already paid, but like, so I got to the point where I was paying my bills, but I was still broke after that.
You know what I'm saying?
So, so tell me how, what I'm, what I'm interested in is for one, that's an incredible journey.
And it puts things in perspective.
I lock in 2017, by 2019, I'm living a dream at this point.
I mean, 'cause you're, you're really getting to this bag.
But what I, what was most impressive, I talked about it earlier,
is the collaborations that you had.
So I'm seeing these same people in the same sketches, like Minx and Jada Fade.
I'm seeing the two young ladies.
I follow them too.
They're dope.
How did that start coming about?
Back in 2017, when I first— 2017, I was shooting at the Sketch House.
I just started over there.
I was at the gym working out and I ran into one of my homeboys, my comedian homies, Ken, Ken Edwards.
Shout out to my boy Ken.
Yeah, um, he's where I started with.
Now I started back in 2010
or 2009 with my boy Chinadu,
my boy Chinadu and Chase Manhattan, man.
Um, Chase Manhattan is the lead, um, or the co— one of the principal characters on the TV show Bigger.
Oh, we're back in the day, um, back days, like probably 5, 6 years And, but this is back when we was just comedians.
Just, we just started doing comedy too.
That's 2009.
And China Dude, myself and him started doing sketches here and there.
They started having me come to their crib and we doing sketches.
That was back in 2009.
And I wasn't focused yet.
I was doing comedy.
I didn't, and they, they, they the ones that told me to get a Twitter.
You get a Twitter, dog.
We comedians.
And I was like, I don't want no Twitter.
I don't want no social media.
He said, dog, you a comedian.
You, you a comedian.
You gotta do that.
So fast forward to 2017.
8 years later, um, I run into Ken.
Me and Ken are comedians.
I know him from comedy.
I don't know him from the space of directing and filmmaking, right, content creation.
We're just comedians.
He's telling me he's working on this web series.
He shows me this web series.
I'm like, whoa, you doing this?
I didn't know you— I didn't know you write.
I didn't know you create content.
I thought you just do stand-up like me.
He's like, nah, man, I do this too, man.
I said, bro, we gotta, we gotta link up.
So he— we exchanged phone numbers because we knew each other for years, but we never had each other's I got his number.
It was like, in the comedy game, I'm gonna see you every week because being in comedy, being in comedy clubs every week, so I always see you, you know what I'm saying?
So I got his number.
He lived down the street from me.
He lived 5, 6 minutes from my house.
I'm like, bro, I'm gonna pull up.
So every Wednesday I start shooting at his house sketches.
Yeah, every Thursday I'm at the Sketch House.
So I'm shooting sketches twice a day, twice a week.
Wow.
And I'm editing the other day, the other days.
That's all I'm doing.
And while I'm in town, because outside of that, when I'm going, I'm only on the doing security.
So I went to the Sketch House, I met Minx there.
I met Minx online and in the DMs, he DM'd me and we met and I invited him to the Sketch House.
'Cause at this point it's invite only.
And I was like, man, is it cool if I invite somebody?
Yeah, if they cool with you, you can invite 'em.
Cool.
'Cause at that point they rocking with me, everybody, you know what I'm saying?
We shooting content together.
They know I'm a real creator.
I'm a person that got real ideas and I'm putting up dope content.
So I met Minx, Minx pulled up and we linked ever since then.
We locked in.
Ken, you know what I'm saying?
2017, during that time.
Um, so y'all started your channels around the same time?
Yes.
And then I had my channel already, he had his channel already.
Gotcha.
When we got together, we was like, bro, we gonna combine forces.
Yeah.
I mean, except with Ken.
Ken has— he already had his channel.
I mean, so Ken had his channel and Minks had his channel.
We met all within the same few months of each other.
Yeah.
I met Troy at the Sketch House.
Yeah.
And he had his— he had his channel, he had the most followers, but he had his followers since 2012.
He had like 30,000 already, but he had quit.
He had kind of like stopped doing it for some years.
Yeah.
And then, so he had a dormant page, but he had 35,000 subscribers on IG already.
I mean, on YouTube already.
So when we met, we was like, bro, we gonna shoot for each other.
We decided, hey, Troy asked me, man, hey, I shoot camera.
I don't shoot on phones.
I shoot on a camera and I don't have a camera anymore.
My DP is too busy.
My cameraman is too busy.
He got other gigs.
But you got a camera.
Would you mind shooting for me and I shoot for you?
We both was broke.
Wow.
He didn't even have a car at the time.
So I was like, I was picking him up.
He lived too— he didn't live too far from me.
I would pick him up, we would drive to the sketch house together.
We had just met at the sketch house.
Wow.
Excuse me, at the sketch house.
And so, I mean, that's how we started.
I'm shooting for Ken, no money, he's not paying me.
He's shooting for me, no money, he ain't paying me.
I'm not paying him.
Joy, I'm not paying nobody.
Minx, I taught Minx how to use the camera.
And he started shooting my content for free.
I saw— I shot all his content for free, and that's how we worked it.
And that's how anybody that's trying to make it with no bread— you got to find like-minded people.
You got to find people that's just like you, that have no money, but they can, they can pay you in effort, and you pay them effort.
Yeah.
And that's how we did it.
And so at that point, I had, I had a camera guy anytime I wanted one.
I could either call Minx— you, you busy?
Cool.
Oh, yo Ken, you busy?
All right, Troy, I got you.
Let's do it.
That's dope.
And now, and tomorrow I'm shooting for you.
Tomorrow I'm shooting for you.
The day after that I'm shooting for you.
And we ain't nobody, ain't no, we not monetized yet.
Yeah.
This is 2017.
We not making no money.
We just making content and loving our content and we laughing.
Oh man, do this, say this.
Oh, and I'm directing most of they stuff.
Yeah.
You know what I'm saying?
And, and I was able to see that you all progressively got better cameras and better looks and better, y'all understand lighting
audio a little better.
I'm seeing that.
When was— how did the Lesbian Homie come about?
Because would you say that's your most successful
thing?
Yeah, Lesbian Homie, for sure.
It's as far as views, right?
And even because the first thing that cracked off was Tiberius.
That's what— that's what all the celebrity dudes was reposting it and sharing it, you know what I'm saying?
So, but before I even got that Lesbian Homie, I had I had viral videos from Tiberius to I'm Coming Too, and that was a whole, those are two different series, two different characters.
And those were both doing well at the time.
So, and that's how I met E.
Shout out to Exactly E.
She DM'd me and she was like, hey, I would love to be in your videos if you ever find something for me, like a role for me, I'm down.
I'm hitting everybody, do you act?
Have you acted before?
No, but I'm a quick learner.
And you know what I'm saying?
So I looked at her page, I'm like, oh shoot, she's tall.
She wrote, she's like 6'2".
Yeah, you know what I'm saying?
And she had tats, she had a short haircut at the time.
I'm like, man, she looked like a little stud, like a sexy-ass stud, you know what I'm saying?
So mind you, I got this idea for the, uh, a lesbian homegirl that got hella body.
That was the name of the show.
I mean, the name of the sketch, it was just one sketch initially.
Yeah, it was called The Lesbian Homie Got Body.
Yeah, that was it.
It wasn't a lesbian.
I, I shortened it The Lesbian Homie.
Yeah, part 1, part 2, part 3.
Yeah, because it was, it was supposed to be just a sketch.
And the day we made the first episode, the first and only episode, was the first day we met.
Yeah, she drove over to the crib, we met, and we chopped it up for about 20, 30 minutes, kind of built a rapport, cracking jokes, getting to know each other.
Where you from?
How old are you?
What you do?
You know, and vice versa.
And show you, we're getting ready.
I gave her some of my clothes because she's a— she's not a stud, she's a regular chick.
She had like on some leggings and like a You know what I'm saying?
And I was like, well, shit, put on these pants, these shorts, these basketball shorts and this durag and this long, this big ass baggy ass tee.
And she put it on and she studded herself out, you know?
And then we shot that sketch.
It was like, I don't know if it was 3 to 4, I had to look back to see how long it was.
It wasn't more than 5 minutes.
5-minute sketch.
And that was just a sketch idea I had that blew up.
I dropped it.
Yeah, I remember it.
Like, and I couldn't wait for the next one to drop.
And I just couldn't wait.
I'm like, I hope you do another one.
You feel me?
I wasn't even planning on it.
'Cause we had just met.
She lived far.
She lived like an hour away.
And she wasn't somebody I had built.
By that time, I already, this is damn near, this is the end of 2018.
So it was almost a year and some change already of me.
I've already built my crew of people I'm shooting with.
And I meet her
and she wasn't really shooting.
She was like the first time she was really shooting content with me.
Really?
She's a good actor, bro.
She's good.
She played that role, bro.
Yeah.
Yep.
And so, yeah, man.
So, but, but she was so new to at the time.
Yeah.
And I'm used to people living in North Hollywood, up the street, down the street, you know what I'm saying?
Ready to work, rock anytime.
And she was so far away.
She was still, she was in school, she was in college.
And so, uh, we, we shot that over the course of maybe 5 months.
We shot that first season.
It was supposed to be just one episode.
And I would only catch her on the weekends, one day out the week.
Yeah.
You know what I'm saying?
She had a son too.
So she was like, days that she wasn't very available.
So we couldn't shoot as often as I would've wanted to.
Plus we had just met and I was shooting other stuff.
I, at that time when we shot Lesbian Homie, the first one, the Lesbian Homie Got Body, I had Tiberius.
I was dropping that in the same month.
So in the same week I might drop Tiberius, I'm Coming Too, The Whole Crew Is Stupid.
The Whole Crew Is Stupid.
Yeah.
And Lesbian Homie.
So that's 4 different sketch series that I created and I was dropping on a monthly, on a weekly basis.
Wow.
And that's when the numbers start going, you know what I'm saying?
So even though like at the time Lesbian Homie was one of 4 very, very successful sketches, sketch ideas.
And so if I'm dropping, If I got videos that got, if I got 4 million views from that video, I'm Coming To got 5 million views and the Whole Crew Stupid got 6 million views.
You know what I mean?
Tiberius got 4 million views.
So it was, it's my most popular show because I took the most time with it.
Got it.
You know what I'm saying?
It was popular, but it was, I was going viral all my different shows, all my shows, you know what I'm saying?
But I was like, man, this one, I
said, I'mma, I started doing more stuff with it.
And so it became bigger because Tiberius, I was doing, at that point, if you watch Tiberius, you watch the type of, it wasn't a show, it was just like a PSA every episode.
What's going on?
It's your big homie Tiberius.
It was like a call to action type video.
And the whole crew was stupid.
That went viral.
I turned that into a tour.
And now it's a whole— I got a movie written that I'm gonna shoot this year.
Let me ask this too.
With E, she hits you up like, yo, I just wanna be down.
I wanna see it.
As it starts picking up, did you— did she want to get paid?
Did you— Yeah.
So that was an interesting transition.
—'cause I saw the new one.
There was another young lady that was on there, and E wasn't there when you produced it, right?
Right.
And I was like, and I was wondering like, dang, what happened?
Where are you going?
Yeah, yeah, yeah, yeah, yeah.
Um,
so mind you, this is a long time ago.
This is 2019.
Yeah.
At the time, uh, she asked me to be in the project, and, um, I was like, yeah, dope.
She asked me to be in something.
She didn't even know what it was yet.
I didn't know what it was yet.
And I'm looking at— She's just like, I wanna be in skits.
When I meet people who don't do this, I'm looking, I look at 'em like, how can I work with her or him?
Yeah.
Because usually I didn't do— you kind of, you had to already be doing it for me to know if you good.
Like, yeah, that's how you audition.
You know what I'm saying?
I wasn't holding auditions and you wasn't coming to like a room and auditioning for a role in one of my pieces of content.
But me going to your page and seeing you already acting, seeing you already creating your own content, is already an audition.
Yeah.
So when I met, oh, when I met Cornell, I know what I can put him in, in my content because I see his work.
I'm a fan of his work.
When I see Minx, when I see Ken, when I see Troy, I see all these guys I'm working with.
They have their own pages, they make their own content before I met them.
So I'm like, oh, you don't have to audition for me because I already see your audition.
I see what you, what you made of.
I see what you can bring.
She had nothing.
She was doing like modeling at the time, so she was never, she wasn't acting.
So I didn't even know what to do with her.
I didn't know how good she could be, how good she can act, you know what I'm saying?
So initially, and she was like, hey, whenever you, whenever you ready, let me know.
I would love to be, I would love to work with you.
That was the energy initially.
For sure.
Then we did, she did one video with me, it blew up.
And like a lot of people, I don't even blame her now, you know what I'm saying?
People like, oh snap, we, you know, she started feeling herself, you know, as she should.
You should be proud of yourself for sure.
And she's a very attractive woman.
And so it made sense that it worked, that it blew up so much.
Some people, and like I said, we good now.
We're good now for sure.
Some people feel that, might not understand how hard it is to do what we do here.
And some people, not just her, and not, and, but some people might feel like, hey, I deserve this now.
I deserve this.
I expect that.
But this, during that time, when I first started shooting with her, I wasn't even money.
I wasn't making no money.
Yeah.
You know what I'm saying?
And the money I did make, you'll see in the middle of season 1 of Let's Be Homies, the camera starts looking better, the sound starts looking better.
I'm starting putting money into, into the work.
So any money I'm getting, I'm putting it back into the company.
And I said, I built the company now and now I got an LLC.
You know what I'm saying?
So, but how was that conversation?
I mean, was it, cause at first it was like, yo, let me just work with you.
Then it got to the point where, hey,
I'm gonna need this.
Huh?
You, you gonna need, you, you need, if I'm gonna continue to do this, I'm gonna, I said, oh shoot.
But then mind you, mind you, this is 6 years ago.
Yeah, for sure.
Now it was about to be 7.
So, and, and some, like, so I was like, ah, I don't, I don't like that too much.
You know what I'm saying?
That, this might be, that wasn't the agreement.
This might be the first time I'm talking about this, to be honest with you.
You know what I'm saying?
Like, this is in the past.
Yeah.
So this is how we are now.
Yeah, for sure.
I mean, that'd be great, you know what I'm saying?
And, um, but even we were good then, like, we didn't have— we worked well together, we made some funny stuff together, some good stuff, but, um, we didn't know each other.
We weren't friends, you know what I'm saying?
We would just— she was— I was someone that she wanted to work with because things are going to go viral.
Yeah.
And she was somebody that I saw when I met her, I was like, I could definitely go work with her.
She looks good.
Yeah, she's pretty, super pretty, and she was nice.
She was easy to work And that's what matters most to me.
Anybody that knows me, you interview anybody, they say nobody's rude, ain't nobody falling out, ain't nobody arguing on my sets ever, ever.
For you, was it the way it got approached?
Yeah, for sure.
I told her this too.
It was through text too.
It was through text.
So a lot of things can get lost in translation through text if you're not having a conversation.
It's just a text and sometimes things feel like it's just blunt.
And I'm like, oh, I don't like the way that sounds.
Yeah.
I've never in my life said that to somebody.
I don't like the way it reads actually.
I don't like, I don't like the way it reads.
Exactly.
And I don't like the way it reads and I don't like the way it sounds in my head.
Yeah.
And so, um, do you remember how much she wanted at that time?
No, she didn't even have an amount.
She was just like, I need to, I need to get this.
And, um, oh, she was like, yo, I just need, I need to be paid now.
No, essentially I said, or what?
What you mean?
'Cause, and this is how I am with anybody.
It's not, it's not even a personal thing.
'Cause me and her, I never disliked her personally.
I don't think she ever disliked me personally.
But I think that conversation rubbed me the wrong way.
And it never, it just got worse from there.
'Cause now at this point I'm like, oh, I'm not used to that.
I'm not used to anybody feeling like they're entitled to something or they're gonna need something from me.
If they want to work with me, like almost like you're doing me a favor.
Absolutely not.
Yeah, I'm not doing you a favor either.
I don't even look at it like that.
Some people might feel it, man.
But initially you were, because I mean, yeah, she didn't have the notoriety, and I didn't— with notoriety comes kind of maybe people in your ear, or it's like, yo, I made, I made this
happen, not knowing you have to go into the, the thinking, the shooting, the editing, the putting, you know what I mean, all that kind of Right.
But wait, she not wrong, especially you said she had to drive for an hour.
But I think this just goes to show sometimes how you say something.
It's definitely how, and I said it's how you say it.
Yeah.
If you, I'm very approachable.
I think anybody would tell you that.
And if I'm not, I would love for somebody to say, nah, he an asshole.
He disrespectful.
He yelled at me.
He cussed me out.
Never.
They can't, they can't nobody say that.
Yeah.
So it was like, I was like, hey, and once again, this is years ago.
Like we are, in great space now.
But like I said, oh, I don't like the way that sounds.
It sounds like it's an ultimatum.
Like, like either to work with me, I'm gonna have to pay you this and the other.
And that's not how I get down.
That's not how it is.
And it's vice versa.
I've never asked somebody, if you want me to come over to your house to shoot a sketch with you, you gotta pay me.
I'm Big Jah.
Never to this day.
To this day.
The homie, if you wanna shoot a sketch with me, David Chance, bro, I'm your boy.
I'm with it.
Let's do it.
But, but, and, and, and when people start doing that, my response is, okay, what happens when you want me to shoot a sketch with you?
Yeah.
How much you gonna have to pay me?
Yeah.
I've never had this conversation with anybody, just for the record, you know what I'm saying?
But like, because I don't lead with that, I'll lead with the art, you know what I'm saying?
Especially if you make your own content.
But she didn't make her own content.
She didn't do it.
She was an actress.
She wasn't a creator.
So I don't think there was, there was no skin in the game for her to be like, well, shoot, if I shoot for you, you shoot for We could have easily did that.
And that's what the difference is when you pull someone into the content creation world.
It's transactional for them sometimes when they see, are you making money?
Are you going viral?
Or you gotta be making money.
And I don't know, it's a lot of times not just her, it's people, other people get in their head.
Yeah.
No one understands this world until you're in it.
So somebody might, hey man, you, how much?
Oh, that video got millions of views.
Shoot, shoot, you get paid?
How much you get paid for that?
Well, I didn't get paid.
You didn't get paid?
I'm sure that's— I don't know about a guarantee.
I was sure that's what happened.
And she kind of told me later on that's what kind of what happened.
Somebody got in her ear and I'm like, ah, that's crazy.
And I want to get to that.
But like, you move forward and you find the next young lady to play the lesbian homie where you start making it like a production series, right?
And I already knew her.
I was already
—And that hits.
—It hits.
Because we now know it's not any one person.
It's the concept itself.
It's the concept.
You are producing it, right?
Right.
But I do wanna know, 'cause I saw her come back, how did it reconcile?
Conversation.
Yeah.
And thing is— And hold on, before you answer that,
what's the new, the newer, the second?
Persephone.
Persephone.
Persephone?
Persephone.
Persephone.
Persephone.
Yeah.
Did you approach that one differently?
Like, okay, Persephone, I want you in the skit, this is going to be how much I pay.
She was already my partner.
We was already shooting.
We grew together.
Yeah.
We started shooting content together, her and I.
So I was already, I had already knew her since 2017.
Yeah.
Now we in 2019.
So I knew her, I was already shooting sketches with her.
Never paid her a dime.
Yeah.
That's another thing.
She was like, she kind of at the time, once again, this is not me bad mouthing the homegirl.
No, that's good.
This is what happened years ago before we had the conversation, before she started to understand the world of content creation.
And how it worked.
And she was like, yeah, everybody's getting paid but me.
I was like, no one's getting paid, what are you talking about?
But she never had a conversation with me.
She just one day, she just said she needed some money or else, basically.
And I was like, okay, I don't like that.
So we still worked a couple times after that, but I didn't really— I knew that this wasn't somebody I probably could grow with.
But you gave her the money that she asked for the last couple times?
Uh-uh, that's not true.
I did eventually give her some money.
I would have gave her a lot more if she came at me correct.
If it was— see, this is the important conversation because, um, this is valuable.
You can't just pull people together, say, all right, we're just gonna shoot this, this thing becomes successful, and now people looking at you like, yo bro, what's up?
Like, I need something.
So you didn't even have to have that conversation with Priscilla because— Persephone.
Persephone.
You didn't have to have that conversation.
One, she's a content creator and she understands the value of this notoriety.
Right, right.
And knowing how to, how to, uh,
not finesse it.
Yeah, for lack of a better term, finesse it or have benefit her own brand.
For sure.
The objective is shoot a sketch with Big J.
It's gonna get, it's gonna get with me.
Yeah.
It's gonna get big.
It's gonna go viral.
You're gonna get a lot of followers because of it.
Of it.
Now you have to show them what you are about, what your brand is, bringing them over to you.
And so that's what happened with Stephanie.
When she met me, she was already doing her thing, and, um, but when she started shooting sketches with me and other people, not just me, she was shooting with other, other creators
as well, but mostly me, um, she's— her following went up crazy, of course.
And she knew what to do.
She was doing her own content, and so she was— that, that was the benefit.
That's When two creators work together, they collab together.
It's not about how much money you can get from me or how much money I can get from you.
It's about how many followers, how much notoriety, how much, how, how popular can I get with working with you and vice versa.
Yeah.
So I've been— I mean, that's how I, I was watching your content, then I started following Minx and I started following all these other people because I saw them where you were, but
you still have to have have something for me to say, oh, this is good, right?
Of course, yeah, you got to be good.
And even with her, like, she understands now, and she understood— she started to understand later, earlier too.
This is years ago, and she didn't understand that you're supposed to— if you want to go— if you want— she wanted to get famous, she wanted to get popular on internet.
But once you do that, you have, you have to have something to keep them.
For sure.
Her following skyrocketed when she started with me.
And that was what, that was the payment, you know what I'm saying?
So because my following started cracking too, it was already cracking.
I was already going viral before I met her, but it was, it started to continue once I got, it continued even more when she got, when her and I started shooting that project together.
And I was cool.
I never expected her to ask for no money.
If she did, I would have, we could have talked about it.
Okay, cool.
Boom.
You're supposed to get monetized with your account because she, I was I was like, I treated her the same way I treat every single person I shoot with, whether it's male or female.
Bro, get you a page, start creating your own content, build your own brand so you can start making money like I'm making and even more.
For sure.
You know what I'm saying, man?
This, bro, these are the conversations that need to be had.
But yo, as we wrap, man, what are you doing now?
First off, oh man, I hope we got enough time.
I want to know, because I remember you came to the studio, you were like, I'm about to drop it as like, kind of like a movie essentially.
And you wound up putting it on Tubi initially?
No, uh, we did season 2, and years later we did— from 2019 to about 2022, we did season 2 of Let's Be Homies.
And yeah, I was trying to figure out how to, how to promote that.
It was going to be on YouTube of course, but we end up doing a paywall.
Yeah.
So paywall, we work with moment.co.
And so on YouTube you can watch each episode every week.
It was 10 episodes.
So the first week you, you watch it for free.
You gotta wait till the second week on Tuesday to watch it.
Every Tuesday for 10 weeks you can watch the next episode.
So you have to wait each episode each week to watch the next episode.
Or you can go to moment.co go at the time and watch the whole video and buy the whole season.
Oh, you can binge watch it.
Did a lot of people opt in to buy?
Yeah, not every single person, but yeah, there was, there was a good amount of people going over there to this day.
They don't want to wait.
I don't want to wait.
I want to watch it all now.
So they went and paid for it, or you can wait for, watch it for free on YouTube once a week.
But either way, you're either going to pay for it now or they're going to watch it on YouTube and you're going to make money from YouTube.
So you're really burning the candle at both ends.
Yeah.
That's brilliant, actually.
And after YouTube, and after 10 weeks were over, and we finally found a company that we can work with that was willing to work with us to put episode season 2 on Tubi.
Got it.
Tubi makes money?
Yes.
Okay, um, and you don't have to answer if you don't want, but that series, what do you think it's paid you on Tubi?
Because I don't understand how
Tubi works just like a YouTube.
It's a revenue share, I believe.
Yeah, so because you watch Tubi and the commercials come up.
So yeah, and I don't know, once again, the analytics, you know, they might know more about that, like how much per view or CPM and all that stuff.
But you get a check from Tubi.
Yeah, like What are those talking about?
So I think the, the first, we had one title up there.
Mm-hmm.
The first check,
it's more than YouTube though.
Yeah, it's more than YouTube.
Yeah.
So Tubi go crazy.
Yeah.
Um, yeah, it's more than YouTube, but I'm trying to get an idea.
So, okay, if you remember what your first check was, cause I don't want everybody in your pockets, but, um, I need to get an understanding of the possibilities.
Case?
Um,
it's, it's, uh,
how can I put this,
like 5-figure checks in 2 weeks?
Yeah.
Hey bro, he said it like that.
Yeah, bro.
Yikes.
Okay.
All right.
Yeah.
So now I need to start.
Yeah.
Now here's the thing.
Um, I can give you all the game afterwards.
Okay.
And, but like, just for the online For sure.
I can
say yes to that.
I will say yes to that.
But my only hesitation is I said, let me see if we should bring all that up right now online.
Okay.
We'll wait on that.
We'll wait on that for sure.
But it is lucrative.
Yes, for sure.
Do you know how many views you're getting on TV?
Hold on.
Do they show that?
I keep looking at it.
Distributors to have that information.
You could, but they're transparent to show you.
Some distributors aren't, and that's— Yeah, it's Tubi transparent.
It's not— See, it's not really— It's not Tubi, it's the aggregating company.
It's the middleman.
So because, um, I just— we just started working with Tubi directly.
Before that, it was— we was going through a middleman.
Oh, a company that— and shout out to them, I'm saying.
But, uh, because that was the only way of getting it to Tubi was through them.
Them or another company.
But this particular company, we had to go back and forth to figure out— we wanted, we wanted the transparency.
We wanted to be able to see the numbers ahead of time.
And, and if we couldn't see that, then that— we're not working with y'all.
Got it.
Got it.
I'm saying, so if they're not willing to show you what the analytics are, then what's the point of me— I just got to trust y'all?
We don't know y'all.
Yeah.
I'm saying, yeah, you have to give us some type of look in the background to see what, what the show is doing, or else y'all just giving us a check and we don't if it's a legit check
from what we really deserve or not, or what we really earn.
So yeah.
So what's the next project that you're dropping now?
Currently right now, I just finished a series called "Lav." It's a new series.
It's an anthology.
It's based on— Anthology?
Anthology.
What that mean?
It means like each episode is different.
Okay.
So like, have you ever watched "Black Mirror" or "American Horror Story"?
Well, you watch, it could be 10 episodes, but each episode is 10 different stories.
Stories.
So I might— my character might be, um, Maurice in this sketch, and I mean that sketch, but in this episode called Baby Drama.
And the next episode is called Unwanted Guests, and my name is Corbell.
I see.
So it's just a collection of different— third episode, my name is Terry.
I'm a different character.
And how long are these episodes?
About 25, uh, 22 minutes.
Oh wow.
So you're shooting full— okay.
Yeah, so it's a full-out show.
It's a TV show that's on— that's streaming on Tubi, and it's going straight to Tubi, um, January 13th.
It airs on— the first episode airs on Tubi January 13th.
Oh, Laugh stands for Life Ain't Usually Great Here, you know what I'm saying?
I'm from the hood, man, so life ain't always great.
Yeah, so life ain't usually great where I grew up at, you know what I'm saying?
But you still gotta laugh, man.
You still gotta make it.
So it's like, how many, how many episodes?
It's 8.
8 episodes.
8 episodes, 8 25-minute episodes, bro.
You are This is like real filmmaking stuff, bro.
That's what we— that's, that's, that's why, that's why, that's what I've been trying to do since I left college.
Even though y'all heard some of my stories, some of it I lost focus here and there, was doing all kinds of different jobs, but I've always wanted to make TV and movies, and that's what
we doing.
So, and the goal is to do my first feature this year.
That's the goal.
Um, I'm gearing up for that, you know, but I have Laugh coming now.
I'm about to go into season 5 of Lesbian Homies.
Me.
And you'll see me, you'll see Bruce, you'll see Reese, and you'll see E.
Are you going straight to Tubi?
Straight to Tubi.
Straight.
So you're bypassing YouTube?
Yes, initially.
I'm always gonna show love to YouTube, so— but initially, if we reversing it, usually it's always going to YouTube first and then it's going to Tubi after.
But now we're doing Tubi first, and it will also be on YouTube for those who don't, because not everybody's on movie.
Yeah, you know, not everybody's on YouTube, so if you still want to see it, you'll still be able to see it for sure.
But
with direct sales still on the site, meaning someone can— you can always buy it right now?
Yeah.
Yep.
Got it.
Always want you— always want to give that access.
Like, if you want to see it all right now, go to the website and buy it.
If not, then you can watch it for free.
What's your ultimate goal?
Ultimate goal is to, uh, to make film, make movies, and change— and when I say change, make a dent in the culture.
Yeah.
I want people to look at my films as classics, like the Fridays and the Don't Be a Menace and the Boyz n the Hood and the Malcolm Xs, you know what I mean?
So my goal is to make films like that, that people talk about 30 years later.
The 30th anniversary of this film.
Let's say the lesbian homie, right?
Would you turn that— is the idea to turn that into like one of these classic films?
Because it's not a film at this point.
It's a series, a show, right?
But is that one vision you have, or you have like another vision of something that's really going to be the classic?
I got another vision for other things.
Yeah.
You know what I'm saying?
I love Lesbian Homie for what it is.
And I love everybody on the show.
And like I said, all the things we were talking about with E, that was 6 years ago.
You know what I'm saying?
Me and her in a way better place now.
And it was never hate.
There was no, there was a lot of misunderstanding at the time, but we, we talked about it, we cleared it up.
And we, once again, we did, she wasn't in season 2, but she's been in season 3, 4, and now she's in season 5 and we in a good place.
Yeah.
Do all of your, do y'all still have the same relationship?
Like some of the actors in these skits, even though they know like, yo, this is a real financial play.
Is it the still, still the same as, yo, I mean, your joint's your mind.
Oh no, no, no.
They getting paid.
Down.
There's budgets.
Yeah.
There's a budget for the project.
So I'm paying everybody.
Everybody gets paid from cast, crew, writers.
I'm saying producers.
Yeah.
Everyone gets paid.
Dang.
And so yeah, everybody eats me.
Everybody ate back then too.
But it was the way that it wasn't, it wasn't monetary currency.
It was, it was, uh, time and effort.
Yeah.
And she didn't understand at the time cuz she was new to it.
Yeah, for sure.
You know what I'm saying?
But she went on and produced her own project.
She had her own series as well on her page.
Page.
And I think she realized, oh, this is work.
It's a lot, you know what I'm saying?
So you can't just— just because you went viral, you can't be like, well, I did that too.
We— it's ours.
It's mine too.
I'm a partner in this.
You're not a partner.
You're a cast member, you know what I'm saying?
For sure.
At the time, that's fine.
And I think you should understand that.
When I— when I shoot stuff with Minx, I'm not a partner in his content.
I'm a cast member in his content.
Yeah, you know what I'm saying?
Same thing with Ken, same thing with Cornell.
We don't own it outright unless we're going in together, be writing it, we're writing it together, we're creating the idea together, then it's, we're partners in that.
But like, play your position.
I'll play mine.
I'm a writer today, I'm an actor tomorrow, and I'm an editor in this one.
I'm not your partner.
I'm, I work with you in the sense that, you know, you come hire me to do it or you come ask me to be in it.
Yeah.
You know?
Yeah.
But I think everybody had to grow.
Like, we're all learning.
This is a new thing for everybody, right?
So, but now if someone comes, let's say K is like, yo, I want to be in one of your skits or I want to be in one of your sketches.
Do you have a different conversation or just still like, all right, come on.
Yeah.
Yeah.
All right.
Come on.
Cause, cause no one, if you want to get paid, you gotta talk about that early.
And most likely I'm not paying nobody just to be in my sketch.
Yeah.
Is there any releases that you have signed now?
Moving forward with the shows?
Yes.
Yeah.
Yeah.
Like the sketches, the social media is not really, not really.
I mean, that might be something I would do eventually, but I haven't had to do that yet.
And for someone to ask me, people ask me every single day, hey bro, I would love it.
Hey, let's collab.
And then they be in the sketch.
You can't lead with that and then ask for money.
Yeah, that's crazy.
Yeah, for sure.
I'm not about to pay you to be in my sketch.
I got people asking to be in my sketch for free because it's a, there's, and that's not, that's not even cocky.
That's not even, well, I need the money.
Well, shit, if I'm gonna pay an actor, I'm gonna pay the people I already been working with.
Yeah, for sure.
Why am I just gonna, you a brand new person.
I've been doing this for a long time and doing it with no bread, super broke.
The home we all sleep, we all damn near homeless.
Yeah.
Damn.
So they'll get to this point and someone see your success and be like, yeah, bro, let me put me in the video and I'm gonna need this money.
You sound crazy.
Yeah.
That's your heart, homie.
This, this is good, man.
I got, we gotta, we gotta wrap, man.
But this was a really, really dope conversation.
I'm inspired and the creator in me is saying, yo, we gotta really really start locking in on some stuff, man.
I need— I'm gonna hit you for some advice though, man.
But yeah, bro, you already know.
Let everybody know how they can connect with you, man, how they can support the film.
For sure.
Uh, Big Jah on all platforms.
B-I-G-G-J-A-H.
It's YouTube, IG, Facebook, TikTok, Snapchat, all that, you know what I'm saying?
Uh, Twitter or X.
But, um, go to Tubi, man, to support.
Go to Tubi, type in Lesbian Homie What's the website where they can just buy directly?
Is that bigjod.com?
Okay, gotcha.
Okay, bigjod.com.
And, um, the sales will be up what, uh, January, the same day, January 13th.
You can go to bigjod.com and watch all of Laugh, or you can watch each episode once a week on Tubi.
Love it.
Laugh, life ain't usually great here.
Love it.
January 13th, pull up.
Cool, man.
Also, just, just give me a word of wisdom for the, for the creators out there, man.
What would you tell them?
Walk with attitude of gratitude.
You know what I'm saying?
You ain't doing nobody a favor and don't nobody owe you nothing.
Just work and work and work until you see, until you see results and then keep working.
Even when you see 'em, don't get complacent.
Don't get, don't be content.
Cause we ain't there yet.
There we go.
I mean, we still working, man.
There we go.
Big John, appreciate you, my brother.
Thank you for coming through.
Make sure y'all do yourself a favor and go follow Big John right now.
Out.
Go look, just go on to YouTube.
I mean, if it's, you know, it's the freest thing.
If you're— this is your first exposure to him, go check it out.
I promise you, I promise you, you are gonna fall in love.
I done put so many people on your content.
I appreciate it.
And they like, yo, this dude is hilarious.
Um, but go check it out, man, and, uh, go support.
If this interview or this episode did anything for you, send Jah a DM.
He may or may not reply, but just send a DM.
Yo, thank you.
If Inspiring Creator, and you're like, yo, I, I'm motivated now, and I, I get it now, I understand it.
Send a DM, just say thank you, or your best part about this interview.
And lastly, go get you some social proof, meaning go build something and build it really, really big.
Um, but it's your responsibility to come back to your community to teach them how you did what you did.
All right, we are out of here.
Peace.